User Tools

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Next revision		Previous revision
backstory [2026/03/07 15:07] – created harryhbackstory [2026/03/07 21:26] (current) – harryh
Line 1: Line 1:
-====== Harrison 'Harry' Hargreeves-Green: Character History (aka Backstory) ======+====== Harrison 'Harry' Hargreeves — Character History ====== 
 +//formerly Harrison Green · he/they · Wild Magic Sorcerer//
  
 +> "The hardest thing about approval is that once you've had it, you spend the rest of your life knowing exactly what you're missing."
 +
 +----
 +
 +===== Personality =====
 +
 +Harry is quiet in company in a way that reads as passive but isn't. He has spent a long time being talked over and talked around, and he learned early that the most useful thing you can do in a room full of people performing at each other is to stop performing and start listening. He misses very little. He acts on what he notices selectively and without announcement.
 +
 +He is careful with his emotions — not closed off, but deliberate. He grew up in an environment where emotional expression had consequences, where a surge of feeling could move furniture or shatter glass, and where the clinical staff wrote down everything they observed. He learned to keep the volume low. After seven years away he's made peace with the fact that this is simply how he's built, and stopped trying to be louder than he is.
 +
 +Underneath the quietness he is genuinely warm. It takes time to find and he doesn't offer it freely, but it's there — in the way he remembers what people have told him, in the way he notices when something is wrong before anyone has said anything, in the way he stayed curious about the siblings for seven years of absence rather than letting them become abstractions.
 +
 +He has dark humour, deployed sparingly. He is perceptive to the point of being occasionally unsettling. He is not above saying the thing nobody else in the room is willing to say, as long as it's true.
 +
 +----
 +
 +===== Ideals =====
 +
 +**Honesty.** Harry would rather say a hard thing than a comfortable one. Not brutally — he's not interested in honesty as a weapon — but cleanly, because he has spent his life in environments where things were not said plainly and he knows the cost of that. A truth that lands badly is still more useful than a lie that lands well. He applies this to himself too, which is why his journal reads the way it does: no softening, no performance, just the thing as it actually is.
 +
 +**Understanding.** He wants to know why things are the way they are. Why the father made the choices he made. Why the siblings became what they became. Why the house did what it did to each of them. Not to use the information — not primarily — but because not knowing is a specific kind of weight and he has been carrying it for years. The answers in the mansion's files are one of the real reasons he came back.
 +
 +----
 +
 +===== Bonds =====
 +
 +**The siblings.** Complicated, unresolved, and still his regardless. He left without saying goodbye and carried them for seven years anyway — in journal entries, in the family photograph, in the specific ongoing project of trying to understand who they were and what happened to them. They are the people he is most himself around, even now, even after everything. Possibly because they're the only ones who knew him when he was still becoming whoever he is.
 +
 +**The journal.** Rhys gave it to him at twelve — a plain book, no explanation beyond //everyone should have somewhere to put things that don't go anywhere else.// Harry has been putting things there ever since, in variations of that same book, for twelve years. It is the only unbroken record of who he has been. He carried it out through the rear wall at seventeen and it has been with him every day since. If he lost it he would be fine. He would also be, in some way he couldn't fully articulate, significantly less whole.
 +
 +----
 +
 +===== Flaws =====
 +
 +**He waits to be believed rather than asking for it.** This is the wound that runs deepest and expresses itself most quietly. Harry has spent his life noticing things, knowing things, arriving at correct conclusions — and not being believed, or not being asked, or simply not being in the room when the conversation happened. He learned to hold what he knew and wait for the moment it became useful, and he never fully unlearned it. The cost is that people who don't know him well read the waiting as withholding, as coolness, as disinterest. Some of them are not entirely wrong. He is withholding — not manipulatively, but protectively, because offering the thing and being dismissed is worse than not offering it at all.
 +
 +**The seven years are not easily explained.** He left, he was gone, he came back. That's the summary. The middle section — the depots, the warehouse, the farm work, the flat with the east-facing window, the slow process of building a life without any of the context that usually scaffolds one — doesn't compress into a conversation. He doesn't always try to make it. This means people fill the gap with their own interpretation, and their interpretation is sometimes unflattering, and Harry accepts this with a patience that occasionally tips into resignation.
 +
 +He is working on asking for things more directly. Progress is slow.
 +
 +----
 +
 +===== Origins =====
 +
 +Harrison Green was not born into ordinary circumstances, but then none of them were. That was the point.
 +
 +He came into the world sometime in the early hours of a single impossible day shared by a handful of children born across the globe under conditions that defied medical explanation. His birth mother was a young woman from Nottingham — a practical, quietly frightened person who kept him for barely a month before making a phone call she didn't fully understand to a number she couldn't explain how she'd found. She was not cruel. She simply did not know what to do with a child in whom the air pressure shifted when he was upset, in whose room things drifted toward his hands in the night. She made the call. Someone answered.
 +
 +The man who came to collect him wore a suit that cost more than her annual salary. He was polite, precise, and entirely uninterested in pretending the exchange was anything other than what it was.
 +
 +He was not told he was one of several.
 +
 +----
 +
 +===== Time with the family: The Early Years (Ages 4–10) =====
 +
 +It was the largest building Harrison had ever seen, and for the first few years he assumed this was true of all buildings — that they were all this large on the inside, all ceilings that felt like weather and corridors that went further than they needed to. He learned otherwise at seven, on a public appearance, standing on a pavement outside a building with a ceiling you could touch.
 +
 +The mansion became his world. He learned its geography the way children learn the geography of places that feel like theirs: obsessively, through exploration, through the particular joy of a house that kept revealing itself in pieces. He found rooms he hadn't known about years after moving in. The house gave itself to him slowly, and he found this comforting.
 +
 +The other children were there from the beginning, each of them strange in their own ways. He learned their numbers before he learned their names — the household ran on numbers, names were for public appearances — and memorised the unspoken rules of the group the way you memorise the rules of any institution you depend on for survival.
 +
 +**Reginald Hargreeves** — the father — was attentive. Not warmly; Harrison would understand that distinction later, once he had enough context to name it. But with the particular focused intensity of someone who has found something interesting and wants to understand it completely. He asked questions. He listened to the answers. He watched. For a child hungry for that quality of attention, it was close enough to what he needed that he didn't examine the shape of it too closely.
 +
 +From early on, Harrison was singled out. Pulled from group activities for individual sessions in the clinical rooms on the east side of the ground floor: white walls, instruments he didn't have names for, staff who wrote things down without explaining what they were writing. He was kept for hours and returned quieter, inclined to keep to himself. He didn't mind. The father was present at those sessions, which meant the father was paying attention, which was the closest thing to good he knew how to name.
 +
 +His power expressed itself early and unreliably. Things moved — sometimes deliberately, usually not. He broke two windows and a mirror before his ninth birthday. The father's team documented everything. Harry's job, as he understood it, was to be interesting enough to keep being studied.
 +
 +He was very good at that part.
 +
 +**Mom** — the household's robotic caretaker — was a constant. She cooked, cleaned, maintained the house, and was present in the same ways every day in a building where almost everything else was variable. Harrison found this deeply comforting without being able to articulate why. She made soup every night. The same soup, the same bowl, the same time. He ate every bowl she put in front of him.
 +
 +**Rhys Aldermen** — the father's man, present in the house for reasons he never explained — was the only adult in the building who operated outside the clinical framework. He left small things: a biscuit outside a door, a book with no explanation, a brief word in a corridor after something had gone badly. He gave Harrison a journal at age twelve, saying only that everyone should have somewhere to put things that don't go anywhere else. Harrison has been writing in variations of that journal ever since.
 +
 +----
 +
 +===== The Training Years (Ages 11–14) =====
 +
 +When Harry was cleared for field deployment at eleven, something shifted — not in his power, which remained what it had always been, but in him. The missions meant he was counted. He sat at briefings with the others and felt, for the first time, fully present in the household rather than adjacent to it.
 +
 +He worked at the training with the focused desperation of someone who has identified exactly what they want and is unwilling to jeopardise it by not trying hard enough. The approval was there — he could feel it in the quality of the father's attention, the particular way he was watched during exercises when something went right. He chased that feeling with everything he had.
 +
 +The power did not cooperate.
 +
 +The problem was not effort. Harrison's telekinesis was emotionally keyed in a way that resisted every technical approach the team tried. The trainers called it instability. One of them, not unkindly, called him a wild stallion. When his power worked, it worked enormously — objects moved with precision and force, energies pushed and pulled with surgical accuracy. When it didn't, it didn't in ways that had consequences.
 +
 +Collateral damage on a mission. A near-miss with a civilian. A failed objective that could be laid directly at the door of a surge he couldn't contain at the critical moment.
 +
 +The other siblings said nothing to his face. They didn't need to.
 +
 +What stung most was not the consequences themselves. It was the father. The quality of the attention changed — that focused, hungry interest became something more measured, more careful, more like how you watched a variable you were no longer sure was useful. Harrison noticed immediately. He could not unfeel it no matter how he tried.
 +
 +He told himself it was temporary. He told himself he'd earn it back.
 +
 +He kept believing this for longer than was good for him.
 +
 +----
 +
 +===== Being Left Behind (Ages 14–16) =====
 +
 +The medication was increased when Harrison was fourteen. The father's team presented this plainly: the regulation wasn't working at the current dosage, so they were adjusting. Harry accepted without argument. He had been taking something since his early years in the house — described initially as general health support, later as a psychokinetic stabilisation compound. If increasing it would fix the problem, he wanted it fixed.
 +
 +It helped. The surges became less frequent. His control, in clinical settings, measurably improved. He was more predictable, more containable, less likely to shatter things by accident.
 +
 +The approval did not return. Not in the same way. Not with the same quality.
 +
 +He has spent years trying to understand why this — rather than the missions, the damage, the failure — was the thing that broke him open. The logical part of him knows that the father was a scientist managing a liability, and that a stabilised liability is not the same as a successful asset. But Harry had worked so hard. Had done everything asked. Had taken the medication and steadied himself and shown up, and the warmth — such as it was, only ever technical warmth, he understands this now — did not come back.
 +
 +The sidelining was gradual. Mission rosters first, then briefings, then group sessions he found out about after the fact. After a while he stopped checking for notifications. The testing continued — became more regular, if anything, which he found confusing and would not understand until much later. When everyone else was elsewhere, he walked the mansion alone.
 +
 +He knew it better than any of them by the end. Third floor east side: a room behind a wardrobe not pushed flush to the wall. East corridor: a panel that gave slightly under pressure, covering a storage space. The rear garden wall: a crack half a metre long, wide enough to pass through sideways.
 +
 +He noted these things and told himself he had no intention of using them.
 +
 +His moods began swinging harder — a side effect of the gap between how much effort he was expending and how little it was landing. The power tracked his moods faithfully, which meant low periods were also periods of greatest unpredictability, which gave the team more to document and the other siblings more reason to keep their distance. A cycle with no obvious exit point.
 +
 +He spent more time in the library. He read everything. By sixteen he was very well-read and very lonely and very good at not showing either.
 +
 +**The discovery** came when he was rearranging his room — one of his few acts of autonomy, moving furniture simply for the satisfaction of change. Behind the skirting board beneath the window: a small piece of hardware, no larger than a matchbox, warm to the touch. He photographed it. He spent three weeks in the library researching before he found a name for what it did.
 +
 +A dampener. A suppressor of psychokinetic activity, built into the room where he slept.
 +
 +He put it back exactly where he found it.
 +
 +He lay awake for a long time that night thinking about the pencil that had never moved in sessions. Thinking about the gap between what happened in his room and what happened everywhere else. Thinking about the possibility that the problem had never been him — that the ceiling he'd been hitting for years had been engineered.
 +
 +He didn't confront the father. He was sixteen and had spent two years being told, in every implicit register available, that he was dangerous. Some part of him was almost grateful for the device.
 +
 +He has spent eight years unpicking that gratitude.
 +
 +----
 +
 +===== The Night He Left (Age 17) =====
 +
 +Something snapped at seventeen. Not a single event, not a final straw — more like the cumulative weight of years reaching a threshold and the realisation, arriving quietly one evening, that he was not going to get what he needed from this house. Not now. Possibly not ever.
 +
 +He packed with care. The journal. The family photograph — all of them together, taken early enough that the dynamics hadn't calcified. Clothes. The money he had saved in small amounts over three years against no specific plan. He waited until the house was quiet.
 +
 +He went through the crack in the rear wall. Sideways, in the dark, pack held ahead of him. He had known he would need it.
 +
 +He did not say goodbye to anyone.
 +
 +He has thought about this decision many times in the years since. Whether it was cowardice. Whether it was the only thing available to him at that particular moment. He has arrived at a conclusion that is probably both, which he finds he can live with more easily than a cleaner answer would allow.
 +
 +He did not look back at the house.
 +
 +----
 +
 +===== The Years Away (Ages 17–24) =====
 +
 +The first two years were not clean. He had no formal documentation of his life between adoption and departure, a power he couldn't explain, and a name that belonged to no paper trail. He took cash work, moved often, kept himself contained.
 +
 +The medication had run out within months. He couldn't replicate the prescription — it had been bespoke, administered through the household. Without it, the stabilisation he'd built during the sidelining years began to shift. Not catastrophically. Gradually. He discovered that his power, outside the mansion's management, was different — more present, more responsive, reaching further than it ever had in sessions. He stood in a hostel room watching his boots slide across the floor to meet his hand and thought about the pencil. About the ceiling. About the device behind the skirting board.
 +
 +He learned to manage the power differently: through understanding his own emotional triggers, through building a life that minimised them, through the slow unglamorous work of a person who has had their stabilisers removed and has to find out what they're made of underneath. This is what Resilient (CON) means for Harry — not a gift, not training, but seven years of practice accumulated into something durable.
 +
 +He was not unhappy. That is worth saying plainly. He had difficult periods and steadier ones. He found a flat at nineteen that was his — genuinely, unambiguously his, paid for with money he'd earned — and watched the morning light cross the eastern wall every day for years. He had people around him, a small circle, who didn't ask about his history. He had routines that worked. He had a door that locked from the inside.
 +
 +At twenty-one he heard a Crystal Nova track on someone's phone at work and didn't know it was her until he looked up the name afterwards. He listened to most of the album. She sang about being used, about the family that wasn't one, about the gap between what you were told you were and what you actually were. He didn't write to her. She'd made clear she wasn't inviting contact, and that was hers to decide.
 +
 +At twenty-two he learned about the father's health through a news item on a screen in a pub. Not a phone call. He sat with this for a long time and found he could not arrive at a clean feeling — not anger, not relief, not grief in any recognisable shape. Just the tangle: the sessions, the look that meant he'd said something worth noting, the sidelining, the device. The fact that for years he'd woken up wanting to show the father something he could do. All of it at once, no hierarchy, no resolution.
 +
 +He changed his name at twenty-three. Harrison Green became Harrison Hargreeves on a Tuesday morning at a registrar's office, quietly and without announcement. He told the few people who asked that it was a family name, which was not untrue.
 +
 +It felt honest. Whatever the father was, that was what he was made of. It seemed wrong to carry a different name to the thing that had shaped him. Whether it was also grief, also love, also something without a clean word — he stopped trying to find the right answer for it and let it be what it was.
 +
 +----
 +
 +===== The Letter (Age 24) =====
 +
 +The solicitor's letter arrived on an ordinary morning and used his new name.
 +
 +That was the first thing he noticed. Not the news — which landed heavily and required sitting with — but the name. Harrison Hargreeves. Someone had been paying close enough attention to know he'd changed it, and had ensured the letter found the right person. The father was dead. The will summoned him by name.
 +
 +He made two cups of tea. He stood at the window. He read the letter four times.
 +
 +The pull was immediate and he did not pretend otherwise to himself. He had built a life. It was a good enough life. He could ignore this.
 +
 +He is not ignoring it.
 +
 +He is going back because the letter used his name. He is going back because there are siblings he has not seen in seven years and some of them he left things unfinished with. He is going back because whatever the father left behind will cause damage in the wrong hands, and he knows this household well enough to know there are several wrong pairs of hands in it. He is going back because the mansion contains documentation he has never had access to — records, notes, observation reports from every session he ever attended — and the father cannot stop him from reading them now.
 +
 +He is going back because he never stopped being Harrison Hargreeves, even when he was trying to be someone else, and the name he chose is the name on the letter, and when your name is called you answer.
 +
 +----
 +
 +===== Secrets =====
 +
 +==== What Harry Knows ====
 +
 +He found the suppression device at sixteen. He replaced it, said nothing, and spent the following year thinking about what it meant before leaving. He doesn't know whether it was still there when he went. He doesn't know if there were others.
 +
 +He left without saying goodbye to anyone. He doesn't know how that landed for each of them. For at least one sibling he suspects it landed badly.
 +
 +He knows the mansion's hidden geography better than any of his siblings — the false panel, the crawlspace behind the linen cupboard, the crack in the rear wall. He knows the layout of every floor, the rooms used and unused, the places people go when they want to be alone.
 +
 +He knows the medication was doing more than it claimed. He doesn't know the full extent of it.
 +
 +==== What Harry Suspects ====
 +
 +The medication compound was suppressing more than surges. He has watched what his power does without it for seven years and the gap between those two states is larger than any stabilisation protocol requires. Something was being held back. He doesn't know what.
 +
 +The increased testing during the sidelining years was not coincidental. The father's interest in him didn't diminish — it changed shape. What Harry represented to him changed. He hasn't arrived at what he thinks that means.
 +
 +==== What Harry Doesn't Know ====
 +
 +The medication included a secondary inhibitor specifically targeting psychokinetic expression, administered at doses far beyond any stabilisation requirement. The father was not trying to regulate his power. He was suppressing it deliberately — limiting the ceiling, keeping the output predictable, maintaining control over a variable he found too large to aim.
 +
 +Harry's power has been growing since he stopped taking the medication at seventeen, and continues to grow. The ceiling he spent his training years hitting was engineered.
 +
 +The father's documentation of this exists in the mansion. Those files are one of the things the will is keeping in play.
 +
 +One sibling knows more about the circumstances of Harry's sidelining than they have ever said. They have been sitting on this information for years.
 +
 +----
 +
 +===== People =====
 +
 +==== Reginald Hargreeves ====
 +The father. Dead now, which means the story Harry has been carrying for twenty years has calcified into something that cannot be revised by the subject of it. Harry's feelings about Reginald are not clean and have never been clean and he has stopped expecting them to become so. The man was precise, intensely interested, and in possession of a quality of attention that Harry has spent his adult life not chasing. He was also the architect of the suppression, the sidelining, and a childhood spent believing the problem was the child. Harry holds both things. He took the man's name. That is the most honest thing he has done in his life, and the most complicated.
 +
 +==== Mom ====
 +The constant. She was there when Harry arrived and she was there when he left and she was there, semi-functional, when he came back. She sat with him in the library at three in the morning without asking why. She made soup every night for twenty years. She said his name correctly on arrival without additional interpretation. By Harry's measure, that's functional enough.
 +
 +==== Rhys Aldermen ====
 +The father's man. The biscuit outside the door. The book with no author. The journal, handed over at twelve with the observation that everyone should have somewhere to put things. Harry has written in variations of that journal for twelve years. Rhys doesn't know this. Harry is all right with that.
 +
 +----
 +
 +===== At a Glance =====
 +
 +^ Full name    | Harrison Hargreeves (born Harrison Green)   |
 +^ Known as     | Harry, Number #                             |
 +^ Age          | 24                                          |
 +^ Pronouns     | he / they                                   |
 +^ Gender       | Genderfluid, male                           |
 +^ Number       | TBC — assigned by DM                        |
 +^ Alignment    | Neutral Good, Harry does what he thinks is right. Institutional authority, family hierarchy, and inherited rules don't factor into that calculus much — the compass is his own and it points where it points. |
 +^ Species      | Changeling                                  |
 +^ Background   | Haunted One                                 |
 +^ Class        | Wild Magic Sorcerer, Level 3                |
 +^ Ability      | Molecular malleability, leading to shape-changing and telekinesis (high ceiling, emotionally volatile) |
 +^ Core wound   | He had the approval once. He knows what losing it feels like. |
 +^ Wants        | To be counted. To understand what the father actually was to him. |
 +^ Fears        | That the answer to those two things are connected and equally bad. |
 +^ Carries      | His journal. A family photo. The name he chose. 130 gp. |

This website uses cookies. By using the website, you agree with storing cookies on your computer. Also, you acknowledge that you have read and understand our Privacy Policy. If you do not agree, please leave the website.

More information