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| backstory [2026/03/07 20:07] – harryh | backstory [2026/03/07 21:26] (current) – harryh | ||
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| > "The hardest thing about approval is that once you've had it, you spend the rest of your life knowing exactly what you're missing." | > "The hardest thing about approval is that once you've had it, you spend the rest of your life knowing exactly what you're missing." | ||
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| + | ===== Personality ===== | ||
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| + | Harry is quiet in company in a way that reads as passive but isn't. He has spent a long time being talked over and talked around, and he learned early that the most useful thing you can do in a room full of people performing at each other is to stop performing and start listening. He misses very little. He acts on what he notices selectively and without announcement. | ||
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| + | He is careful with his emotions — not closed off, but deliberate. He grew up in an environment where emotional expression had consequences, | ||
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| + | Underneath the quietness he is genuinely warm. It takes time to find and he doesn' | ||
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| + | He has dark humour, deployed sparingly. He is perceptive to the point of being occasionally unsettling. He is not above saying the thing nobody else in the room is willing to say, as long as it's true. | ||
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| + | ===== Ideals ===== | ||
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| + | **Honesty.** Harry would rather say a hard thing than a comfortable one. Not brutally — he's not interested in honesty as a weapon — but cleanly, because he has spent his life in environments where things were not said plainly and he knows the cost of that. A truth that lands badly is still more useful than a lie that lands well. He applies this to himself too, which is why his journal reads the way it does: no softening, no performance, | ||
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| + | **Understanding.** He wants to know why things are the way they are. Why the father made the choices he made. Why the siblings became what they became. Why the house did what it did to each of them. Not to use the information — not primarily — but because not knowing is a specific kind of weight and he has been carrying it for years. The answers in the mansion' | ||
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| + | ===== Bonds ===== | ||
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| + | **The siblings.** Complicated, | ||
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| + | **The journal.** Rhys gave it to him at twelve — a plain book, no explanation beyond //everyone should have somewhere to put things that don't go anywhere else.// Harry has been putting things there ever since, in variations of that same book, for twelve years. It is the only unbroken record of who he has been. He carried it out through the rear wall at seventeen and it has been with him every day since. If he lost it he would be fine. He would also be, in some way he couldn' | ||
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| + | ===== Flaws ===== | ||
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| + | **He waits to be believed rather than asking for it.** This is the wound that runs deepest and expresses itself most quietly. Harry has spent his life noticing things, knowing things, arriving at correct conclusions — and not being believed, or not being asked, or simply not being in the room when the conversation happened. He learned to hold what he knew and wait for the moment it became useful, and he never fully unlearned it. The cost is that people who don't know him well read the waiting as withholding, | ||
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| + | **The seven years are not easily explained.** He left, he was gone, he came back. That's the summary. The middle section — the depots, the warehouse, the farm work, the flat with the east-facing window, the slow process of building a life without any of the context that usually scaffolds one — doesn' | ||
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| + | He is working on asking for things more directly. Progress is slow. | ||
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| ^ Gender | ^ Gender | ||
| ^ Number | ^ Number | ||
| + | ^ Alignment | ||
| ^ Species | ^ Species | ||
| ^ Background | ^ Background | ||